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| Jack in the Pulpit aka Indian Turnip perennial herbaceous plant |
Toward the end of the 20’s, O’Keeffe began to tire of New York and took a trip to New Mexico. She fell in love with the terrain and returned there every year until she moved there permanently in 1946. It was a new beginning for Georgia O’Keeffe, whose inspiration abounded once again as she took to painting the mountainous landscape and sun-bleached animal skulls that littered the desert floor. She insists that the bones depicted in her work were not indicative of death, but rather of the ever-lasting beauty of the desert itself. She reveled in the striking vegetation and vibrant colors. Once again her paintings took on a magnified quality, possibly a significant message that nature is larger than humanity, and that its splendid beauty dwarfs us. Despite artists using nature as a subject, nature will always be too much for an artist to contain.
About the Author: Jessie Ippersiel has been a fan of Georgia O'Keeffe's work for many years and provides content for georgia-okeeffe.com.
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